This project brings together two distinct yet intertwined gazes, those of filmmaker Lana Daher and editor Qutaiba Barhamji, to explore how memory lingers in place. The work extends from their collaboration on Daher’s feature film Do You Love Me (2025), a cinematic journey through Lebanon’s audiovisual memory composed entirely of archival materials: moving images, stills, and sound. For this photographic installation, Daher and Barhamji create a palimpsest of time, where past and present coexist and overlap. Daher revisits the film’s emotional landscape through her own family photographs: vivid colored images mainly from the 1980s and 1990s that were featured in the film. They are fragments of joy, intimacy, childhood, and everyday life, marked by both warmth and unease. In dialogue with these personal archives are Barhamji’s recent photographs of Beirut. Together, they retraced key locations from the film, which he captured on handmade black-and-white film. These contemporary images reveal spaces that still bear the weight of history, suspended between disappearance and survival. Though taken in 2025, they seem to belong to another time: raw, grainy, and restless, as if the city itself were caught between eras. Placed side by side, the two collections merge into a single body of work. A conversation between the image that remembers and the image that seeks to remember. Together, they suggest that memory is not linear but a process of cueng, layering, and reassembling. Past and present fold into one another, creating a quiet tension: the past is not behind us; it lives within spaces and images. Time is felt emotionally rather than chronologically. Even without knowledge of the film, the installation opens a space where absence and presence, tenderness and loss coexist, where the viewer can sense how memory continues to shape what remains.