Extrusion is an ongoing experimentation project to physically explain ruins in the absence of matter. The base is crafted in Swedish soft wood where the pieces are assembled together vertically and hand carved, thus giving a combination of patterns simulating the conglomerate stone. This Corinthian base respects the Vitruvian modulus where the ratio of the semidiameter of the column corresponds to the height of the base. In order to simulate the column barrel, the wire mesh was rolled and assembled in a cylindrical shape with seamless welding points respecting the dimensions of its square pattern. Powder coating gives it a homogeneous feel, interrupted by the glow of the powder coating microcrystals whenever light strikes it. Wire Mesh helps in revealing the lost architectural volumes of the archaeological monuments after their long taphonomic journey. Thus, creating a dialogue between the subject and the object. Extrusion is a challenging middle ground between the site’s disintegration and its reconstruction. It is a process of reimagining architectural remains through artistic creativity. With this intervention, Ṣilāt invites the wider cultural community to consider creative methods of presenting and responding to incomplete archaeological ruins; yet to simultaneously respect international standards and current philosophical ideas around the interpretation and adaptation of archaeological sites.